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<title>Wagner Operas Podcasts</title>
<link>http://wagneroperas.libsyn.com</link>
<description>The Official Podcast Page of www.wagneroperas.com</description>
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<copyright>2006 by wagneroperas.com</copyright>
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<itunes:keywords>Wagner, Opera, Bayreuth, culture, Germany, arts</itunes:keywords>
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<item>
<title>Bayreuth 2007: Katharina's Meistersinger</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=240155#</link>
<description><![CDATA[<span style="font-weight: bold;">The Bayreuth Festival</span> opened with a much anticipated production of <span style="font-weight: bold;">Die Meistersinger von NÃrnberg</span> directed by <span style="font-weight: bold;">Katharina Wagner</span>, daughter of <span style="font-weight: bold;">Wolfgang Wagner</span>. As the heir apparent to the family business, Katharina's new production shows that the Festival wants to continue breaking with the traditions of the past. For some, her new production is bold and innovative, while others have dismissed it as insulting Eurotrash. As you will hear, the boos and cheers mixed during this year's opening night. <br/>]]></description>
<category>podcasts</category>
<pubDate>Mon, 30 Jul 2007 03:06:00 GMT</pubDate>
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<itunes:duration>01:04:48</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>Toscanini at Salzburg: The 1936 Meistersinger</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=225553#</link>
<description><![CDATA[<span style="font-weight: bold;">Arturo Toscanini</span> was the most sought-after conductor in the 1930's. He became the first Italian to conduct at <span style="font-weight: bold;">Bayreuth</span>, and would have continued performing there had the Third Reich not come to power in Germany. He left Bayreuth in protest and went to the <span style="font-weight: bold;">Salzburg Festival</span>. His complete recording of <span style="font-weight: bold;">Die Meistersinger</span> from 1937 is readily available, but the fragment that exists from a 1936 performance, taken from a shortwave radio recording, is very rare. We present this historical document in this podcast. <br/>]]></description>
<category>podcasts</category>
<pubDate>Fri, 15 Jun 2007 01:41:00 GMT</pubDate>
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<itunes:duration>01:15:42</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
</item>
<item>
<title>Richard Wagner: Before the Operas</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=190377#</link>
<description><![CDATA[<span style="font-weight: bold;">Richard Wagner</span> composed his <span style="font-weight: bold;">Symphony in C Major</span> at the age of nineteen. It is clearly the work of a young man influenced by the towering figure and musical innovations of <span style="font-weight: bold;">Ludwig van Beethoven</span>. The symphony was given its premiere during the composer's youth, and then remained dormant for decades until Wagner himself resurrected it, leading the orchestra as a birthday gift for his wife Cosima. This private performance took place at <span style="font-weight: bold;">Teatro La Fenice</span> in Venice a few months before the composer's death.]]></description>
<category>podcasts</category>
<pubDate>Fri, 9 Mar 2007 04:12:00 GMT</pubDate>
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<itunes:duration>00:42:05</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
</item>
<item>
<title>Adrianne Pieczonka &#38; Ben Heppner in Concert</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=150350#</link>
<description><![CDATA[For many opera lovers around the world, Canadian soprano <span style="font-weight: bold;">Adrianne Pieczonka</span> became a household word this summer after her critically praised performance as Sieglinde at this year's <span style="font-weight: bold;">Bayreuth Festival</span>. In this podcast, recorded from the Ballroom of Rideau Hall in Ottawa, you will hear two of Canada's finest singers together in concert for the first time. Superstar heldentenor <span style="font-weight: bold;">Ben Heppner</span> joins Ms. Pieczonka to perform <span style="font-weight: bold;">Richard Wagner</span>'s <span style="font-weight: bold;">Wesendonck Lieder</span>, as well as arias from <span style="font-weight: bold;">Die WalkÃre</span>. <br/>]]></description>
<category>podcasts</category>
<pubDate>Fri, 10 Nov 2006 19:56:00 GMT</pubDate>
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<itunes:duration>00:26:45</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
</item>
<item>
<title>In Memoriam: Astrid Varnay (1918-2006)</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=131432#</link>
<description><![CDATA[On September of this year, soprano <span style="font-weight: bold;">Astrid Varnay</span> died in Munich, Germany. She was one of the great Wagnerian sopranos of our times, and one of the artists chosen by <span style="font-weight: bold;">Wieland Wagner</span> to re-open the <span style="font-weight: bold;">Bayreuth Festival</span> in 1951. Astrid Varnay was one of the most successful sopranos of the 1950's and 60's. In the mid 1970's she came back to the stage in character roles. In this podcast you will hear her in the role of BrÃnnhilde in the 1955 stereo recording of <span style="font-weight: bold;">Siegfried</span> from the Bayreuth Festspielhaus. <br/>]]></description>
<category>podcasts</category>
<pubDate>Mon, 18 Sep 2006 03:00:00 GMT</pubDate>
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<itunes:duration>00:33:15</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
</item>
<item>
<title>Bayreuth Festival 2006: G&#195;&#182;tterd&#195;&#164;mmerung</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=120457#</link>
<description><![CDATA[This performance of <span style="font-weight: bold;">GÃtterdÃmmerung</span> brings to a close the new production of the <span style="font-weight: bold;">Der Ring des Nibelungen</span> at the <span style="font-weight: bold;">Bayreuth Festival</span>. One of the shining stars of the last evening was <span style="font-weight: bold;">Hans-Peter KÃnig</span> who, in the role of Hagen, is positively chilling in the third scene of Act II. You will also hear <span style="font-weight: bold;">Christian Thielemann</span> conducting the Bayreuth Festival Orchestra in Siegfried's Funeral Music, as well as the thrilling voice of <span style="font-weight: bold;">Linda Watson</span> as BrÃnnhilde in the climactic Immolation Scene which ends the work.]]></description>
<category>podcasts</category>
<pubDate>Wed, 16 Aug 2006 02:29:00 GMT</pubDate>
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<itunes:duration>01:01:47</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>Bayreuth Festival 2006: Siegfried</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=118156#</link>
<description><![CDATA[One of the delights of the past two <span style="font-weight: bold;">Bayreuth Festivals</span> was listening to tenor<span style="font-weight: bold;"> Stephen Gould</span> mesmerize audiences with his impressive performances of <span style="font-weight: bold;">TannhÃuser</span>. This summer he is making the crowds at the &quot;Green Hill&quot; go wild once again, this time with his volcanic interpretation of the title role in <span style="font-weight: bold;">Siegfried</span>. In this podcast you will hear him sing this role, alongside tenor <span style="font-weight: bold;">Gerhard Siege</span>l (Mime), in the Act I Forging Song, and in the final scene of Act III with soprano <span style="font-weight: bold;">Linda Watson</span> (BrÃnnhilde). <br/>]]></description>
<category>podcasts</category>
<pubDate>Tue, 8 Aug 2006 17:43:00 GMT</pubDate>
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<itunes:duration>00:50:10</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>Bayreuth Festival 2006: Die Walk&#195;&#188;re</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=116735#</link>
<description><![CDATA[&nbsp;At this year's <span style="font-weight: bold;">Bayreuth Festival</span>, one thing is certain: the new production of the <span style="font-weight: bold;">Ring</span> is receiving standing ovations thanks to the vision of director <span style="font-weight: bold;">Tankred Dorst</span>, the incredible conducting of <span style="font-weight: bold;">Christian Thielemann</span>, who leaves no doubt that he is one of the great Wagnerians of our times, and the amazing singing of <span style="font-weight: bold;">Adrianne Pieczonka</span> as Sieglinde. In this presentation of excerpts from <span style="font-weight: bold;">Die WalkÃre </span>you will also hear <span style="font-weight: bold;">Endrik Wottrich</span> as Siegmund, <span style="font-weight: bold;">Linda Watson</span> as BrÃnnhilde, and <span style="font-weight: bold;">Falk Struckmann</span> as Wotan.]]></description>
<category>podcasts</category>
<pubDate>Fri, 4 Aug 2006 02:34:00 GMT</pubDate>
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<itunes:duration>01:03:44</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>Bayreuth Festival 2006: Das Rheingold</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=114704#</link>
<description><![CDATA[The highlight of this year's <span style="font-weight: bold;">Bayreuth Festival</span> is the new production of <span style="font-weight: bold;">Der Ring des Nibelungen</span>, staged by director <span style="font-weight: bold;">Tankred Dorst</span>, and conducted by<span style="font-weight: bold;"> Christian Thielemann</span>. This new production of <span style="font-weight: bold;">Das Rheingold</span>, the prelude to Wagner's &quot;Ring,&quot; premiered on July 26, 2006. In this program you will hear extended excerpts from this performance, which was broadcast live to the world on Radio Bavaria. The cast features baritone <span style="font-weight: bold;">Falk Struckmann</span> as Wotan. <br/>]]></description>
<category>podcasts</category>
<pubDate>Sat, 29 Jul 2006 03:52:00 GMT</pubDate>
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<itunes:duration>00:57:02</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>The Golden Age of Wagnerian Opera at the MET</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=106420#</link>
<description><![CDATA[Most critics will agree that the richest period of Wagnerian singing in The United States took place during the 1940's, and '50's at the Metropolitan Opera in New York City. This podcast pays homage to the incredible talent of those historic decades, and features performances by <span style="font-weight: bold;">Lauritz Melchior</span>, <span style="font-weight: bold;">Helen Traubel</span>, <span style="font-weight: bold;">Herbert Janssen</span>, <span style="font-weight: bold;">RamÃn Vinay</span>, <span style="font-weight: bold;">Margaret Harshaw</span>, <span style="font-weight: bold;">Otto Edelmann</span> and others. Their voices are heard in live excerpts from <span style="font-weight: bold;">Tristan und Isolde</span>, <span style="font-weight: bold;">TannhÃuser</span>, and <span style="font-weight: bold;">Die WalkÃre</span>.]]></description>
<category>podcasts</category>
<pubDate>Sun, 2 Jul 2006 16:32:00 GMT</pubDate>
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<itunes:duration>01:02:38</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>Bayreuth 2006 Opening Night: A Preview</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=103016#</link>
<description><![CDATA[The Bayreuth Festival will open this year on July 25 with a performance of <span style="font-weight: bold;">Der fliegende HollÃnder</span>, Wagner's first &quot;mature&quot; opera. This production is a controversial modern, Freudian staging of the work that has been greeted with boos year after year since the first time that it premiered in 2003. In this podcast we will listen to excerpts from last year's production (whose cast is almost identical to this summer's scheduled artists) as well as classic and rare examples of past performances of this romantic opera. <br/>]]></description>
<category>podcasts</category>
<pubDate>Wed, 21 Jun 2006 19:24:00 GMT</pubDate>
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<itunes:duration>00:52:06</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>The 2005 Bayreuth Tristan und Isolde</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=97322#</link>
<description><![CDATA[In contrast to the first &quot;complete&quot; recording ever made at the Bayreuth Festival in 1928, which was the subject of our two previous podcasts, we now offer excerpts from the latest <span style="font-weight: bold;">Tristan und Isolde</span> from the Festspielhaus. This modern dress production premiered on July 25, 2005, and the action of the opera takes place aboard an ocean liner. This &quot;Ship of Fools&quot; production, as the European press dubbed it, stars soprano <span style="font-weight: bold;">Nina Stemme</span> and tenor <span style="font-weight: bold;">Robert Dean Smith</span>. The Bayreuth Orchestra is under the direction of <span style="font-weight: bold;">Eiji Oue</span>. <br/>]]></description>
<category>podcasts</category>
<pubDate>Sun, 4 Jun 2006 04:05:00 GMT</pubDate>
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<itunes:duration>00:56:18</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>The 1928 Bayreuth Tristan und Isolde (Part 2)</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=92535#</link>
<description><![CDATA[In our second and last podcast in this series celebrating the historic recording of the 1928 Bayreuth production of Wagner's <span style="font-weight: bold;">Tristan und Isolde</span>, we take a look at the Act II Love Duet and the last act of this work. Although Act III was the most heavily edited portion of this entire recording, and most of the demanding music of this complex score is not heard on this recording, it is interesting to get a glimpse of what these memorable singers must have been like during the actual performances of the work during that summer's festival.]]></description>
<category>podcasts</category>
<pubDate>Sun, 21 May 2006 00:04:00 GMT</pubDate>
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<itunes:duration>01:07:59</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>The 1928 Bayreuth Tristan und Isolde (Part 1)</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=90643#</link>
<description><![CDATA[This podcast presents excerpts from the 1928 recording of Wagner's <span style="font-weight: bold;">Tristan und Isolde</span>. Technical difficulties during this period of recorded history prevented British Columbia Records from capturing the audio during an actual performance. Instead, the three acts were recorded between performances in an empty hall. It is a landmark recording, even though there are extensive cuts throughout the work. The cast includes two of the great Wagnerians of the 1920's: <span style="font-weight: bold;">Nanny Larsen-Todsen</span> and <span style="font-weight: bold;">Gunnar Graarud</span> as the immortal lovers. <br/>]]></description>
<category>podcasts</category>
<pubDate>Mon, 15 May 2006 10:13:00 GMT</pubDate>
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<itunes:duration>00:40:53</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>The Italian Wagnerians</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=87794#</link>
<description><![CDATA[For many years, Italian was a second language to Wagner's operas, as scores of Italian singers performed the composer's music in their native tongue instead of in the original German. Based on his Italian performances, tenor <span style="font-weight: bold;">Giuseppe Borgatti</span> became the first Italian heldentenor to be invited to perform at Bayreuth. Although, after the war, most Italian opera houses presented Wagner in German, great post-war artists such as <span style="font-weight: bold;">Mario Del Monaco</span>, <span style="font-weight: bold;">Renata Tebaldi</span>, and <span style="font-weight: bold;">Maria Callas</span> became the last generation to sing Wagner's music in Italian.]]></description>
<category>podcasts</category>
<pubDate>Sun, 7 May 2006 15:37:00 GMT</pubDate>
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<itunes:duration>00:42:48</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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<title>Performance Practices in PARSIFAL (Part 3)</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=84741#</link>
<description><![CDATA[In the conclusion of this three-part series, we look back at the work of American baritone <span style="font-weight: bold;">Clarence Whitehill</span>, who excelled in Wagnerian roles around the world, and first performed at the Bayreuth Festival in 1904. The program also features the work of some of the best Wagner conductors on the scene today. We highlight musical excerpts from <span style="font-weight: bold;">Donald Runnicles</span> at the Vienna State Opera, <span style="font-weight: bold;">Valery Gergiev</span> at the MET, and <span style="font-weight: bold;">Pierre Boulez</span> leading the 2004 controversial staging of <span style="font-weight: bold;">Parsifal</span> from the enfant terrible of German art, <span style="font-weight: bold;">Christoph Schlingensief</span>.]]></description>
<category>podcasts</category>
<pubDate>Thu, 27 Apr 2006 23:35:00 GMT</pubDate>
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<itunes:duration>00:40:25</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
</item>
<item>
<title>Performance Practices in PARSIFAL (Part 2)</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=82767#</link>
<description><![CDATA[The second part of the show brings us past the Bayreuth Nazi Era, and all the way up to the 1951 re-opening of the Festival after the war. This podcast features a recording from the early 1920's where the original Bayreuth <span style="font-weight: bold;">Parsifal</span> bells can be heard (they were destroyed during World War II), a recording of the Good Friday Spell conducted by <span style="font-weight: bold;">Siegfried Wagner</span>, the composer's son, and an excerpt from the landmark 1951 <span style="font-weight: bold;">Wieland Wagner</span> Bayreuth production of this opera, featuring baritone <span style="font-weight: bold;">George London</span> and tenor <span style="font-weight: bold;">Wolfgang Windgassen</span>.]]></description>
<category>podcasts</category>
<pubDate>Sat, 22 Apr 2006 15:23:00 GMT</pubDate>
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<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
</item>
<item>
<title>Performance Practices in PARSIFAL (Part 1)</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=80853#</link>
<description><![CDATA[In our premiere Podcast, we will explore the various ways in which Wagner's last opera, <span style="font-weight: bold;">Parsifal</span>, has been performed since it first saw the light of day at the Bayreuth Festival of 1882. In this program we will focus on the way that conductors have approached this musical score. It is our hope that you will enjoy the musical numbers that we have selected for you.&nbsp; My sincere thanks goes out to my friend <span style="font-weight: bold;">Keith Barnes</span> who provided me with the rare musical excerpts that you will hear in this program.&nbsp; This program could not have been done without his help. Enjoy the show! <br/>]]></description>
<category>podcasts</category>
<pubDate>Mon, 17 Apr 2006 02:08:00 GMT</pubDate>
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<itunes:duration>00:26:57</itunes:duration>
<itunes:author>Vincent Vargas</itunes:author>
<itunes:subtitle>www.wagneroperas.com</itunes:subtitle>
<itunes:explicit>Clean</itunes:explicit>
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<item>
<title>You Found Us! -- Welcome!</title>
<link>http://wagneroperas.libsyn.com/index.php?post_id=78892#</link>
<description><![CDATA[After almost two years online, <a href="http://www.wagneroperas.com/">Wagneroperas.com</a> is adding a new dimension to the website: podcasting! In a few short days this site's first podcast will hit the air.&nbsp; We are very excited to be able to bring you a fascinating program about Wagner's last opera <span style="font-weight: bold;">Parsifal</span> and the way that conductors have approached the work since its premiere in 1882. The program will include rare highlights from Bayreuth recordings dating back to the late 1920's featuring bass <span style="font-weight: bold;">Alexander Kipnis</span>, conductor <span style="font-weight: bold;">Karl Muck</span>, and <span style="font-weight: bold;">Siegfried Wagner</span>, the composer's son. Hope to see you back here soon!<br/>]]></description>
<category>general</category>
<pubDate>Tue, 11 Apr 2006 02:06:00 GMT</pubDate>
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<itunes:author>Vincent Vargas</itunes:author>
<itunes:explicit>Clean</itunes:explicit>
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